This weekend, my one-act play Ghost Hunting was going live on stage in the Blue Mountains, NSW, part of the Blackheath Theatre Company’s Out Of The Blue show of four one-act plays.

Over five performances, a community hall was to have become, for one enchanted half hour, a haunted house for the entertainment of audiences. We were delighted to be sharing the stage with three other magic spaces of wonder created by the talents of three other local writers.

Sadly, it was not to be.

Ten days before our premiere, the Blackheath Theatre Company informed us the entire season of Out Of The Blue was off, claiming the July 2022 weekend in question posed too great a Covid risk.

They became, in all likelihood, the only performing arts company in Australia to pull shows this weekend citing Covid risk.

Yet other local cultural events are enjoying full houses right now.

I deeply apologise to any theatre-goer affected. The decision was made without any consultation with the crews and cast and its validity has been hard for many of us to accept. C’est la vie. Que sera sera.

The sudden loss of Out of the Blue came as a major blow for the actors, crews and volunteers who put heart and soul into it over a very long time (we were postponed three times before due to lockdowns against which I had no objection).

And the trust it may well have fractured could potentially damage live theatre generally in the Blue Mountains community. If so, I sincerely hope that full trust can be recovered. A thriving live theatre scene is something, I’m sure, we all want to see.

Author photo: Kylie Blakemore (copyright). From left: Iain Fraser, writer-director, Underground; Brian Twomey, writer, Sweet Dreams, Baby; David Levell, writer-director, Ghost Hunting (three of the four Out Of The Blue playwrights).

Australian Geographic has just published my short piece on pink flannel flowers, a rarely seen Oz wildflower that only blooms a year after bushfire followed by rain. They’re painting the Blue Mountains pink right now!